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Diversity Workshop

NDP PEI will hold a Diversity workshop for members and supporters of all genders. The event will foc [ ... ]

Third Thursdays

Third Thursdays is an opportunity to network with members of creative industries, meet Innovation PE [ ... ]

Pulp Fictions: Regional Handmade Paper Products

by Pan Wendt

This exhibition of paper-based work, curated by Shauna McCabe, inaugurates the striking new display cases in the Confederation Centre (hallway). The show continues the Confederation Centre Art Gallery's practice of using the cases to highlight objects that are not generally considered under the rubric of "art"; in the past, historical or ethnographic artifacts, functional and/or decorative works have been displayed along these walls.

In this exhibition, however, McCabe has deliberately selected works that are either sitting on the fence between the realms of high art and decorative art, or are art works that either recall functional objects or employ craft practices. Paper, or maybe just pulp, is the material around which she centres her selection.

The "fictions," beyond providing a snappy cliche for the title, are the overriding theme, as the artists concerned all appear to be grappling with the problem that what is art and what is craft is based on mythologies of function, of beauty, and of material. Most of these works revel in a confusion of function, and highlight the processes of naming and framing that are as much a part of the transformation of raw materials into whole, defined, classifiable and usable objects as are the work of the artist or craftsperson's hand.

Nigel Roe's group of bowls, apparently not, which is a group of text-covered papier mache bowls with unformed edges, and punctured by bright red dowels, confronts this question head-on in its title. Newfoundlander Helen Gregory's dirtbooks, in which thickly encrusted books open to reveal fragments from the natural world, are beautiful, if slightly overwrought variations on the theme.

The most striking works in the show are by Christine Trainor. Here a book is displayed in what seems to be a process of decomposition or dissection, paper untrimmed, loose, still raw. The book features carefully composed anatomical notes and drawings; the book itself like a dissected body; our own body as a text, as a fictive constellation of names and categories; nothing new, perhaps, but Trainor's is a singularly beautiful and powerful reworking of the theme.

Events Calendar

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Some Upcoming Events

The Sisters Brothers

November 21–25
City Cinema 14A, graphic violence, disturbing content, coarse language.
Dir: Ja [ ... ]

Kelley’s Christmas

Kelley Mooney and friends in holiday season concert series November 21, 25 & December 13
Select  [ ... ]

The Charlottetown Film Society & L’Ipéen...

Select dates
City Cinema Tickets at the door, cash only, $10, or visit for advanc [ ... ]

Recent News & Articles

A gift of Island poetry: Chris Bailey

Curated by Deirdre Kessler Things My Buddy Said Oh, brother, growing up I’d get into trouble
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A passion for cinema

Laurent Gariépy is screening the classics at City Cinema by Dave Stewart Anyone checking out City [ ... ]

Acadian showman

Profile: Christian Gallant by Jane Ledwell Forty-six musicians and step dancers took the stage at  [ ... ]