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From the Noticeboard

Confederation Centre Choirs

Both the Confederation Centre Youth Chorus and the Confederation Singers (the adult choir at the Cen [ ... ]

A Course in Miracles

Every Friday evening at 7 pm a group meets for an in depth study and discussion of the text “A Cou [ ... ]

Textures and Technology


New show by Shayli Vere features pulp painting and photography

by Peggy Miles

Nestled in the back corner of the Waterfront Shopping Centre in Summerside is Vere Studio & Gallery, something you stumble on quite unexpectedly. The studio seems a bit out of its element, contained in a retail environment that frankly has seen better days. But it is a refreshing sight—comparable to the moment ‘The Wizard of Oz’ goes from black and white to colour.

When I arrive, I’m greeted by owner Shayli Vere. Vere is an artist, photographer, and self proclaimed control freak. If you meet her, you’ll also quickly realize that she is a strong advocate for art and all that is creative.

Vere’s talent is as vast as her involvement with the arts scene. She started out with an interest in fashion, moved on to photography, and also trained in interactive multimedia which led her to the film industry. Mixed in with these experiences was working with pulp paper as an art medium. Vere intertwined pulp paper into her photography, which allowed her to bring craft into technology.

Vere’s exhibit Textures and Technology will be featured at the studio and gallery in August. The exhibit will feature abstracts and landscapes using pulp paintings and alternative photography.

Vere’s pulp paper works are visually stimulating and inspired by Prince Edward Island landscapes. Vere shows me the process she uses for producing the pieces, which includes hand dying the pulp and pouring it onto a screen—a process which is repeated many times. Texture is added as it dries. The completed piece is peeled off as a full sheet, mounted onto a canvas and varnished for protection.

The process Vere uses for the alternative photography component of the exhibit is just as interesting. She has had a special camera built (with the help of a local electrical engineer), which allows her to record time and manipulate movement in a different way than a traditional camera. The images that are captured with the camera will produce landscape images that are a bit unexpected and allow those who view the images to think about landscapes in a different way.

It is clear that Shayli Vere has a lot of initiative when it comes to the advancement of the arts. As she explains, the gallery is about extending a hand to local artists and providing a collective support. She has even had discussions with Oran Canada (who own the Waterfront Place) about possibilities for working together to further develop an artistic environment in Summerside. Vere Studio is currently open seven days a week.

www.verestudio.com

 

Isn’t it Good


Tom Dean discovers the art of working with wood

by Peggy Miles

Tom DeanTom Dean tells me very succinctly about his foray into working with wood. About eight years ago and with no artistic background, he drove to Rustico to purchase some wood working equipment advertised in the Buy, Sell and Trade. With a back heavy van, Dean stopped off at Indigo for a book about wood turning, then returned to his home in Tyne Valley and found his inner artist.

He remembers the first object he ever made—a bowl—and the amazement both he and his wife Kathy shared when Dean came upstairs from his basement workshop to show her. As his wood working skills improved, so did his pieces. When they began taking up space around the house, Kathy threatened a renovation if he didn’t soon find a way to liquidate his wooden objects.

That’s how Dean began selling his bowls, vases, and furniture. He is this month’s featured artist at Vere Studio & Gallery, located at the Waterfront Shopping Centre in Summerside. Each piece comes with a handwritten description written by Dean. A note accompanying a bowl tells how the wood used to make the bowl was found shortly after Hurricane Juan hit the Maritimes, and is thought to be canary wood from a sugar boat originating from South America and buried off shore for a hundred years. Another piece has a more simple description: “This piece wanted to be a vase.”

Indeed Dean likes to let the wood dictate what its final outcome will be. Various pieces of wood collect in his workshop until they finally communicate with Dean their intended purpose. From driftwood to barn boards, and from exotic woods like ebony and tulip, to woods brought to him by friends, he is able to give them a new voice.

Dean is drawn to wood that has knots, cracks, or wormholes, which produce distinctive pieces with unique characteristics. He also credits his lack of training as something that adds strength to his work. By avoiding some of the traditional rules of wood working he is able to bring out the artistry in his pieces. He prefers to view his works as art pieces rather than just functional objects.

Since moving to the Island in 1999, Dean has embraced the PEI arts scene and gained an appreciation for Island talent. His home is filled with pieces from local artists, whom he began meeting at local fairs while selling his wares. And Dean and other Island wood workers are considering the formation of a wood turners association in order to promote and further their craft in the province. The satisfaction that Dean receives from being a part of the artistic community on PEI is clear—as is his appreciation that a humble diversion has provided a rewarding outlet for his artistic expression.

You can also find Dean’s work at the Basket Weavers of PEI Co-op located in Richmond.

The Deportation


Exhibition at Acadian Museum commemorates historic events

by Peggy Miles

Lucie Bellemare in her studioWouldn’t history class have been more interesting if the historical figures from your textbook had been right there in the room with you? Experience that feeling this summer as the stories of nine different Acadians banished from PEI over two and a half centuries ago come to life at the Acadian Museum of Prince Edward Island.

The exhibition is being held in conjunction with the 250th Anniversary of the deportation of the Acadians, in which this group was banished from PEI (then known as Isle Saint-Jean) by British colonial authorities. Known as the Grand Derangement, or the Great Upheaval, this historic event affected thousands of Acadians who were deported, imprisoned or forced to escape.

The stories of these nine individuals will be told through sculptures and paintings created specifically for the exhibit by West Prince artist Lucie Bellemare. Made mostly of metal frames shaped into human forms and covered with a mixture of cheese cloth and plaster of Paris, the sculptures are lifelike—and life size. Each sculpture will be accompanied by a large seven foot canvas, depicting an image that places each of the Acadians in a particular environment, such as a boat taking them to an unknown destination. Story boards will convey what each of the men, women and children might have been thinking and feeling as they experienced the hardships of deportation. Through written words, each of the individuals expresses what became of their life and the lives of their family members.

Much effort has gone into making the exhibition as historically accurate as possible. Bellemare spent long hours researching intricate details, such as what the landscape of the region would have looked like in the mid 1700’s.

I visited Bellemare’s art studio in Abram-Village as she was working on one of the sculptures, depicting eight year old Marie-Anne Oudy. The little girl was forced to board a crowded boat with her family and leave her home for unknown domain. Oudy’s story has a tragic ending, as do many of the others being featured. But there are also tales of courage and determination—like Joe League and a Half who found his way back to the Island, raised 10 children, and became a prominent member of the Acadian community.

Bellemare explains that while the exhibition will present the historical side of the deportation, it’s her hope that her artistry and the efforts of the museum will help to channel the personal stories of the people affected by this significant event in Island history. Bellemare wants young people with Acadian roots to take in the exhibit and make a connection with their ancestors—as well as a renewed feeling of acceptance and pride. Now that sounds like a memorable history lesson.

The exhibition will be launched on June 2 at 7 pm and runs until December. The Acadian Museum of Prince Edward Island is located on Route 2 in Miscouche. Check out the museum’s website for hours of operation and admission prices: www.teleco.org/museeacadien.

Writing for Success


Steven Mayoff’s novel in the running for Amazon award

by Peggy Miles

Steven MahoffHis book was recently chosen as a Top 100 Semi-finalist for the Amazon.com Breakout Novel Award. His song lyrics have been recorded by Canadian pop singer-songwriter Melanie Doane. He is currently converting one of his works into a screenplay. And this wordsmith lives in the woods of rural Prince Edward Island with a dial-up internet connection.

As I sit down with Steven Mayoff and empathize about the lack of high speed availability in Foxley River, it is clear that Mayoff is content with life.

His novel Destinations and Departures tells a family’s story using varying perspectives and multiple generations. Finishing the book he had worked on for close to 10 years coincided with the Amazon.com contest. Mayoff decided to enter to “just see what happens.” Making it to the Top 100 out of 5,000 entries has bolstered his confidence as a writer and he is now looking for a publisher to take the book to the next level.

Mayoff’s own life is seemingly filled with destinations and departures. Born in Montreal, and having lived in Toronto, he is a self professed “City Boy” who moved to Canada’s smallest province in 2001. His wife (originally from PEI) and her family (who also live in Western PEI) have helped with the transition. Writing on and off for a number of years, moving to the Island resulted in writing becoming Mayoff’s “definite focus in life.” He held a vision that “writing life was always going to be somewhere in the country, somewhere quiet looking at trees.”

Mayoff’s resume is diverse and includes novels in progress, poems, short stories, and he has written dramas for CBC Radio and contributed as a writer and lyricist for plays and musicals. Mayoff says that he has a visual style and aims to write in such a way that his readers can “smell the smells,” and see and hear what’s going on within a story.

I ask him how he feels about his characters. He tells me they are real. “They haunt me,” he jokes. Mayoff tries to show respect to his characters and he strives not to play puppet master. “Part of the craft of writing is listening,” he tells me. “You have to listen to your characters and cultivate a gut instinct.” He acknowledges that when he sits down to the white space of his computer, he doesn’t always know what’s going to happen next. “If it’s not a journey for me, it’s not going to be a journey for my readers.”

Mayoff describes himself as a storyteller. Recognition and seeing his words on paper is rewarding but “it’s the doing that’s the most satisfying part of it.” A final thought Mayoff shares about his success is that he is “at an interesting time where things seem to be happening. I feel very happy, very lucky, very privileged, to be doing what I’m doing.”

For more information on Steven Mayoff, visit his website at www.stevenmayoff.ca.

Avonlea’s Earth Day


Summerside bookstore does its part for the environment

by Peggy Miles

Avonlea Bookstore owner Richard KaysWalking into Avonlea Bookstore on Water Street in Summerside has a way of transforming a person’s frame of mind. The sound of traffic disappears and rows of books invite you to come further inside the space. Patrons will be greeted by Richard Kays, who celebrated 10 years last fall as the chatty owner and operator of Avonlea Bookstore. The bookstore carries primarily used books, but also has new titles on its shelves.

Over the years various businesses have set up shop in the retail space at 240 Water Street—including a furniture store, a liquor store and a cabinet manufacturing business. Richard tells me he has a wide array of clientele, from his biggest segment: women in their 50s and 60s; to farmers looking for some wintertime reading. In the summer months visitors from off Island stop into his shop, looking to relax with—as Richard puts it—“food, beer and their books.”

With Earth Day on April 22, the mission for my visit with Richard is to gauge his thoughts on how his service of selling used books ties in with the idea of environmental awareness. He tells me he is able to save books from literary purgatory by accepting books from the public, and also by obtaining books from companies that have overstock or items that may be slightly damaged. He admits that not all the books that people drop off make it onto his shelves. Some books are simply not saleable due to damage or being outdated. Richard ensures these books are properly recycled.

We discuss the reasons people choose to shop at second-hand shops, including his bookstore. He indicates the most obvious benefit of buying used is to save money, which is especially beneficial for avid readers. Shopping second hand also means the possibility of finding something unique. On the day of my visit Richard finds just the right item for one of his regulars (a video store clerk in her 20s) in her search for a one of a kind gift for her boyfriend.

We also discuss that providing a book with a sustained life feels good to the environmentally conscientious individual. As Richard points out a book can bring pleasure to a long list of people if it is given the chance to be passed on again and again.

Richard says that one of his greatest pet peeves is ‘packaging’ and suggests that corporations look closer at how they package everything from food to toys to electronics. He puts principal into practice and tells me he always asks customers whether or not they need a bag for their purchase. And if customers do request a bag, it comes from his stash of used grocery bags, which are sometimes brought in by his customers.

Richard Kays and the Avonlea Bookstore represent a growing awareness of environmental consciousness in our society and an alternative for those who choose to buy second-hand. What’s very obvious is the bookstore owner’s passion for the service that he provides to both his patrons and the environment. In his usual outgoing nature he explains his outlook: “You won’t get rich, but it’s a whole lot of fun.”

Events Calendar

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Some Upcoming Events

DMayne Event returns

With guests Jerry–Faye, Jamie Comeau and the Crooked Teeth, and Math Class October 12 at Spo [ ... ]

Comic Book Art

Exhibit features work by Island comic book creators Until October 5
Eptek Centre There is a thrivin [ ... ]

9th Grand Ruisseau Song Festival

September 28–30
Mont-Carmel Parish Hall The Coopérative de développement culturel et patrimonial [ ... ]

Recent News & Articles

Drawing the line

Profile: Sandy Carruthers by Jane Ledwell Retired for a year now after twenty-five years teaching  [ ... ]

Filmworks Summerside

Film series is back for 7th season Filmworks Summerside opens for their 7th season on September 12  [ ... ]

An Island wish

On August 23, 4 year old Cooper Coughlin will arrive on Prince Edward Island soil for a once in a li [ ... ]